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RENTAL MOBILE VIDEO UNIT

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SPECTRE ENTERTAINMENT INNOVATES WITH 2 NEW MOBILE VIDEO DISPLAYS.

We offer two new complete and ultra-compact professional video boards, plus cameras, lenses and all the accessories needed to capture your event or show in 4K (or other format). All the equipment of a video control room in a mobile version!

SLIMER: Tellement Compacte

This mobile control room is perfect for small productions shot in smaller locations with minimal personnel, such as offices, homes and small venues. It is also very popular for filming corporate events or conferences where the footage is then shared with an audience or posted on the web.

Depending on the type of production, this system can easily be operated by one or two people, not counting the camera operators, of course.

CASPER: UNDENIABLY THE MOST VERSATILE

A mobile video control room that can be adjusted to all types of productions according to the needs of the moment. Whether it’s a recording for television, a multi-camera capture for a corporate event or a live broadcast on a giant screen while on tour, Casper remains the solution.

High-end and ultra-compact, the complete system fits in 4 swap bodies, while the number of cameras will depend on the production’s needs.

A signal box

  • Panel ATEM 1 M/E physique (+ 3 Virtuels) Blackmagicdesign®
  • HD screen de 27,5 inch – HDSDI, HDMI, DVI
  • Two customizable multi-view outputs
  • Contrôle via Cat5
  • Chroma Key
  • 2D DVE

A camera management station (CCU)

  • Up to 4 control camera units GV® OCP 400
  • Reference monitor 17″ TVLogic® LVM-170A
  • Built-in waveform monitor
  • 2 channel station CLEAR-COMtm
  • ATEM 4 M/E Broadcast Studio 4K Blackmagicdesign® switcher

Recording formats

  • HD 720P @ 50/59.94
  • HD 1080i @ 50/59.94
  • HD 1080P @ 23.98/24/25/29.97/50/59.94
  • 4K 2160P @ 23.98/24/25/29.97/50/59.94

A signal box

  • GV® KORONA® panel with 2 physical M/Es (+3 virtual)
  • 40-inch multi-view screen
  • Two customizable side screens
  • Six 5″ monitors for redundancy
  • Support manual router (Backup)

A camera management station (CCU)

  • Up to 8 GV® OCP 400 camera control units
  • 17″ SONY™ LMD-A170 Reference Monitor
  • TECKTRONIX™ WFM 5200 Waveform Monitor
  • Two screens and 3 customizable mini monitors
  • 4-Channel CLEAR-COM™ Station
  • Control computer

Multimedia processing station

  • GV® K-FRAME® V-SERIES switcher
  • 32 HDSDI and 4 HDMI inputs; 16 HDSDI and 2 HDMI outputs
  • 64X64 ROSStm ULTRIX router including 2 multiviews up to 64 PIP each
  • Two AJAtm FS2 Multi-Format/Sync Converters
  • Two AJA™ Ki Pro ULTRA® Recorder (4K/2K/HD with 8 audio tracks)
  • 8-track analog or AES audio via MOTU™ 16A® mixer
  • Video monitor and router
  • ROSENDAHL™ NANOSYNC® HD Multistandard Synchro Generator
  • TIMECORE™ timecode generator
  • Conversion and processing via ROSS™OPENGEAR®
  • Control laptop

Interface cabinet

  • Box for 6 GV® XCU XTREMESPEED XF FIBER camera stations
  • CLEAR-COM™ FS-704 4-Channel Intercom Power Module
  • CLEAR-COM™ ENCORE® IF4W4 “4-Wire to 2-Wire” Interface
  • CLEAR-COM™ TWC-701 2-Channel Multiplexer
  • Analog audio distribution

Recording formats

  • 3G 1080P @ 50/59.94/60, niveau A et niveau B
  • HD 1080P 23.976/24/25/29.97/30
  • HD 1080i25/29.97/30
  • HD 1080PsF @ 23.976/24/25/29.97/30
  • HD 720P @ 50/59.94/60
  • SD 525i @ 29.97
  • SD 625i @ 25

Optional recording formats

  • 4K 2160P @ 50/59.94/60
  • 4K 2SI Quad Link @ 50/59.94/60
  • 4K SDQS Quad Link @ 50/59.94/60
  • Haute vitesse 3X et 6X
  • HDR: HLG, PQ

Cameras

  • GV® LDX86 WORLDCAM®
  • 2″ monitor (7″ optional)
  • Full Standard Tripod
  • Intercom Headset
  • Transport box
  • Sony™ SRG-X400 robotic PTZ 4K, NDI® | HX.
  • Sony™ RM-IP500 remote control

CANON™ lenses for LDX86 cameras

  • 4K 90X        UJ90x9-B UHD DIGISUPER 90®
  • HDxs 40X HJ40eX10
  • 4K 24X CJ24ex7.5B Séries
  • 4K 14X CJ14ex4.3B Séries
  • HDxs 22X HJ22ex7.6B IASE A
  • HDxs 14X HJ14ex4.3B IASE
  • eHDxs 11X HJ11ex4.7B IASE
  • HDGC 17X KJ17ex7.7B IRSE

Wireless communications

RIEDEL™ BOLERO® Wireless Intercom

  • 6 independent bi-directional channels
  • Range up to 200m indoors, 250m outdoors
  • NSA-002A “4-Wire” Analog Interface
  • IP-65 environmental sealing

Clear-Com FreeSpeak II Wireless Intercom

  • 5 independent channels
  • Range up to 150m indoors, 450m outdoors
  • Interface multimode
  • Multi-mode interface
  • Frequency 1.9GHZ Environmental sealing IP-53

Dyno K2 replay system

  • Grass Valley® K2 Summit 3G+® Recorder/Player
  • K2 S Dyno Controller
  • 2 or 4 bidirectional SD/HD channels
  • Multi-camera, slow motion, video + alpha, instant replay, “proxy” encoding for broadcast
  • SD, HD, 3G, and 4K UHD in DVCPRO, MPEG-2, AVC-Intra, H.264/AVCHD, DNxHD, and ProRes formats

Fibres optiques

  • Hybrid optical fibers
    standard SMPTE 304M/311M
    Various lengths

OUR AVAILABLE VIDEO MATERIAL

  • *Grass Valley Korona 2 M/E
  • *Black Magic Atem 4 M/E Studio 4K
  • *Kramer presentation switcher / scaler VP-771
  • *Black Magic Atem 4 M/E Panel
  • *Roland Pro V-800 HD
  • *Roland V-1HD-PLUS

  • *AJA Ki Pro Ultra
  • *Pioneer CDJ2000 Nexus 2
  • *Pioneer CDJ3000 Nexus 2
  • *AJA Ki Pro Ultra 12G 4K

  • *Amplifier HDSDI
  • *Amplifier DVI
  • *Amplifier VGA
  • *SDI REPEATER
  • *Amplifier HDMI
  • *Amplifier Vidéo
  • *xVision Converter SDI DA 1:4
  • *xVision Converter SDI Repeater
  • *xVision Converter SDI/HDMI
  • *xVision Converter
  • *xVision Converter SDI/HDMI to HDMI/SDI (bi-directional)
  • *xVision HDBaseT/HDMI
  • *xVision HDMI/HDBaseT
  • *xVision streaming server
  • *AJA FX2

  • *Laptop PC
  • *MacBook
  • *Ipad

  • *Bolero Riedel
  • *Base Clear-Com
  • *Beltpack Clearcom Freespeak II

  • *GrassValley Dyno K2 Summit 3G

  • *Christie Digital ROADSTER HD 14K 14 000 lumens (1920 x 1080HD) 16:9
  • *Christie Digital ROADSTER HD 10K 10 000 lumens (1920 x 1080HD) 16:9
  • *Christie Digital DWU760A-iS 7000 lumens laser(1920 x 1200) 16:10
  • *Digital Projection E-Vision 6800 (6500 lumens) lentille 1.24 – 1.79 , 16:9
  • Lens 0.67
  • Lens 1.16 – 1.49:1
  • Lens 1.4 – 1.8

  • *Vestel UHD Touchscreen 65’’

Why should you rent a mobile video system for your event?

If you're planning to film your event or show using one or more cameras, or broadcast it live on giant screens or the Web, you'll need a video mixer. With a video mixer, one or more operators in the control room can select the best angle of view from the various cameras (if any) depending on what is happening on stage.

The video mixer also helps to make your show or event more dynamic, by not giving the audience the same perspective over and over again. Other uses for the video mixer :

  • Create a static effect (picture in picture);
  • Create live special effects;
  • Create animated sequences (crossfades, shutters, 2D or 3D effects, etc.);
  • Insert titles and other superimposed elements;
  • Graphic design;
  • Inlay on green background.

Mobile video rental: which criteria to evaluate first?

The video mixer is the brain of your production, whether it is multicamera or not. In particular, it allows you to select the sources. It also receives and transforms the different signals to display them, record them and send them to broadcast channels.

When it comes to renting your video mixer, you will first need to analyze your various needs by asking yourself questions, such as:

Does your production have one or more cameras?
What is the length of your production?
What level of production quality do you want to achieve?
Do you work in a small or large space?
On what media will you broadcast your video content (live big screens, live or non live web platform, live or non live TV, etc.)?

This will determine, among other things, the number and type of video inputs and outputs you will need, the storage capacity required, the size of the video mixer, etc.

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